{"id":405,"date":"2020-04-26T12:24:18","date_gmt":"2020-04-26T12:24:18","guid":{"rendered":"http:\/\/www.leonperformingarts.org\/apmusictheory\/?page_id=405"},"modified":"2020-04-26T14:04:26","modified_gmt":"2020-04-26T14:04:26","slug":"frq-5-secrets","status":"publish","type":"page","link":"http:\/\/www.leonperformingarts.org\/apmusictheory\/?page_id=405","title":{"rendered":"FRQ 5 and 6 Secrets"},"content":{"rendered":"\n<p class=\"has-text-align-center\">FRQ 5 is a figured bass SATB realization. <\/p>\n\n\n\n<p class=\"has-text-align-center\">FRQ 6 is an SATB part-writing<\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>FR<span style=\"text-decoration: underline;\">Q 5: You will add Roman Numerals and the SAT voices.<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/FR-5.png\" alt=\"\" class=\"wp-image-409\" width=\"555\" height=\"220\" srcset=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/FR-5.png 356w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/FR-5-300x119.png 300w\" sizes=\"(max-width: 555px) 100vw, 555px\" \/><\/figure>\n\n\n\n<p><strong><span style=\"text-decoration: underline;\">FRQ 6: You will add SATB voices:<\/span><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/fr-6.png\" alt=\"\" class=\"wp-image-423\" width=\"647\" height=\"203\" srcset=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/fr-6.png 696w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/fr-6-300x94.png 300w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/fr-6-500x157.png 500w\" sizes=\"(max-width: 647px) 100vw, 647px\" \/><\/figure>\n\n\n\n<p><strong><span style=\"text-decoration: underline;\">Procedure:<\/span><\/strong><\/p>\n\n\n\n<p>All of these numbers indicate inversions <strong><span style=\"text-decoration: underline;\">AND <\/span><\/strong>intervals above the bass. (Remember this picture &#8211; the blue numbers are not always present!) Think about what member of the chord the bass is (is it the root? 3rd? 5th? 7th?)<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" src=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/triads-and-seventh-chords-2.png\" alt=\"\" class=\"wp-image-418\" width=\"427\" height=\"189\" srcset=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/triads-and-seventh-chords-2.png 727w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/triads-and-seventh-chords-2-300x133.png 300w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/triads-and-seventh-chords-2-500x222.png 500w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/><\/figure><\/div>\n\n\n\n<p>1- For FR 5: Figure out the Roman Numerals. MAKE SURE YOU HAVE INCLUDED ANY ALTERED PITCHES. 4 &#8211; # or 4 &#8211; natural is a <span style=\"text-decoration: underline;\">SUSPENSION<\/span>! (please prepare suspensions in the same voice they are held and resolved!)<\/p>\n\n\n\n<p>2 &#8211; fill in the chords obeying our voice leading rules, including the doublings! (see graphic below). <strong>MAKE SURE YOU SPELL EACH CHORD CORRECTLY &#8211; double check this!!!<\/strong> (there is a huge point loss for incorrectly spelled chords)<\/p>\n\n\n\n<p>3 &#8211; FR 6 probably has a CHROMATIC chord &#8211; make sure you put the accidental on the proper pitch!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"688\" height=\"920\" src=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/voice-leading-rules.png\" alt=\"\" class=\"wp-image-414\" srcset=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/voice-leading-rules.png 688w, http:\/\/www.leonperformingarts.org\/apmusictheory\/wp-content\/uploads\/2020\/04\/voice-leading-rules-224x300.png 224w\" sizes=\"(max-width: 688px) 100vw, 688px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>FRQ 5 is a figured bass SATB realization. FRQ 6 is an SATB part-writing FRQ 5: You will add Roman Numerals and the SAT voices. FRQ 6: You will add SATB voices: Procedure: All of these numbers indicate inversions AND &hellip; <a href=\"http:\/\/www.leonperformingarts.org\/apmusictheory\/?page_id=405\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/pages\/405"}],"collection":[{"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=405"}],"version-history":[{"count":12,"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/pages\/405\/revisions"}],"predecessor-version":[{"id":427,"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=\/wp\/v2\/pages\/405\/revisions\/427"}],"wp:attachment":[{"href":"http:\/\/www.leonperformingarts.org\/apmusictheory\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}